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Futurism, although theoretically opposed to symbolism, received its influence to a large extent, especially thanks to the work of Gaetano Previati; Futurist artists such as Umberto Boccioni, Giacomo Balla and Carlo Carrà were close to symbolism in their early work, as well as Giorgio de Chirico, the greatest exponent of metaphysical painting.
English. Read; Edit; View history; Tools. ... Artists of the Symbolism movement of the late 19th century. ... This list may not reflect recent changes. ...
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In Belgium, symbolism became so popular that it came to be known as a national style, particularly in landscape painting: [34] the static strangeness of painters like René Magritte can be considered as a direct continuation of symbolism. The work of some symbolist visual artists, such as Jan Toorop, directly affected the curvilinear forms of ...
Religious symbol, an iconic representation of a religion or religious concept Buddhist symbolism, the use of Buddhist art to represent certain aspects of dharma; Christian symbolism, the use of symbols, including archetypes, acts, artwork or events, by Christianity; Symbols of Islam, the use of symbols in Islamic literature, art and architecture
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Symbolism is an accumulation of "symbols" that are there not to present their content but to evoke greater ideas that their symbolism cannot expressly utter. According to Moréas, it is an attempt to connect the objects and phenomena of the world to "esoteric primordial truths" that cannot ever be directly approached.
In 1965, an exhibition called The Responsive Eye, curated by William C. Seitz, was held at the Museum of Modern Art, in New York City. The works shown were wide-ranging, encompassing the Minimalism of Frank Stella, the Op art of Larry Poons, the work of Alexander Liberman, alongside the masters of the Op Art movement: Victor Vasarely, Richard ...