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The lawsuit also refers to the lyrics of a song "Rap Saved Me" by 21 Savage, Offset, Metro Boomin and Quavo, which include the lines: “She took a Xanny, then she fainted/ I’m from the gutter, ain’t no changing/ From the gutter, rap saved me/ She drive me crazy, have my baby.” The woman believes the lyrics recount the alleged assault and ...
Right Now" is a song by British-American rapper 21 Savage and American record producer Metro Boomin from their collaborative album Savage Mode II. It features Canadian rapper Drake, who garnered attention for his verse in which he alludes to dating singer SZA. The R&B-esque ballad marks the fourth collaboration between 21 Savage and Drake.
Metro announced he would offer a free beat and a $10,000 cash prize to whoever delivered the best rap over the backing track in an effort to deride Canadian rapper Drake. [3] The song's title derives from rapper Rick Ross ironizing about a rumor that Drake received plastic surgery on his abs and on his nose, using the slang term "BBL", [ 4 ...
The buzz only built when Metro Boomin and Future headlined the Rolling Loud California festival just prior to the song’s release, and Travis Scott personally asked them to play it during their set.
"Young Metro" is a song by American rapper Future, American record producer Metro Boomin, and Canadian singer the Weeknd. It was released through Freebandz (under the business name Wilburn Holding Co.), Boominati Worldwide, Epic Records, and Republic as the second single from Future and Metro's collaborative studio album, We Don't Trust You, on March 25, 2024.
"Runnin" is a song by British-American rapper 21 Savage and American record producer Metro Boomin. It was released on October 2, 2020, as the opening track from their collaborative album Savage Mode II.
Future and Metro Boomin perform at Lollapalooza 2024. Josh Brasted/FilmMagic "Like That" was released as a single from "We Don't Trust You," a collaborative album by Future and Metro Boomin.
"Superhero (Heroes & Villains)" is a trap song that features "pummeling 808s and muted horns" in the production, over which Future raps in his "customary, chant-like flow", [1] and style similar to "the days of DS2" [2] In the latter portion, the instrumental "fades into somber synths", for "distorted melodies" from Chris Brown, [1] who sings about people who do not want to see him succeed. [3]