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Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil paints on sheets of glass. Gouache mixed with glycerine is sometimes used instead. The best-known practitioner of the technique is Russian animator Aleksandr Petrov ; he has used it in seven films, all of which have won awards.
Missions of California, a 1907 documentary by Norman Dawn, was the first film to use a glass matte painting to augment the scenery.. Traditionally, matte paintings were made by artists using paints or pastels on large sheets of glass for integrating with the live-action footage. [1]
The in-camera matte shot, also known as the Dawn Process [4] is created by first mounting a piece of glass in front of the camera. Black paint is applied to the glass where the background will be replaced. The actors are then filmed with minimal sets. The director shoots several minutes of extra footage to be used as test strips.
The technique of back-painting glass actually dates back to pre-Roman eras. One of the key historical periods of the art was in Italy during the 13th to 16th centuries. Small panels of glass with designs formed by engraved gilding were applied to reliquaries and portable altars. The method used is described by Cennino Cennini. [3]
Vassily Kandinsky Vassily Kandinsky, Komposition V, 1911. One of the main challenges of creating a reverse glass painting is how layers are applied when painting. [6] An illustration of this type is usually painted on the opposite side of the glass (the one not presented to the audience), following an opposite succession of layers of paint, applying the front most layer first and the ...
Painting with acrylic paint on the reverse side of an already inked animation cel, here placed over the original drawing. Traditional animation (or classical animation, cel animation, or hand-drawn animation) is an animation technique in which each frame is drawn by hand.
Simon Berger's glass portraits visualize a tension between strength and fragility through its motif, as well as his handling of the glass. The anonymous female portraits commonly share a powerful expression, their fierce gazes either piercing through the viewer, or fixating on an object beyond the frame.
Every Frame a Painting ' s YouTube icon, based on Eadweard Muybridge's Animal Locomotion photograph series. Every Frame a Painting is a series of video essays about film form, editing, and cinematography created by Taylor Ramos and Tony Zhou between 2014 and 2016, published on YouTube and Vimeo.
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