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Free-hanging pockets were tied around the waist and were accessed through "pocket slits" in the side-seams of the gown or petticoat. Woollen or quilted waistcoats were worn over the stays and under the gown for warmth, as were petticoats quilted with wool batting, especially in the cold climates of northern Europe and America.
Free-hanging pockets were tied around the waist and were accessed through pocket slits in the side-seams of the gown or petticoat. Woolen or quilted waistcoats were worn over the stays or corset and under the gown for warmth, as were petticoats quilted with wool batting, especially in the cold climates of Northern Europe and America.
Petticoat is also sometimes spelled "petty coat". [7] The original petticoat was meant to be seen and was worn with an open gown. [3] The practice of wearing petticoats as undergarments was well established in England by 1585. [8] In French, petticoats were called jupe. [9] The basquina, worn in Spain, was considered a type of petticoat. [10]
Skirts were worn over small, domed hoops, called panniers, in the 1730s and early 1740s. Depending on the occasion, these panniers varied in size. Smaller hoops were worn in everyday settings and larger hoops for more formal occasions, which later widened to as much as three feet to either side at the French court of Marie Antoinette.
These petticoats were often worn between the underwear and the outer dress and were considered part of the outer clothing, not underwear. The lower edge of the petticoat was intended to be seen since women would often lift their outer dresses to spare the relatively delicate material of the outer dress from mud or damp (so exposing only the ...
Bedgowns of lightweight printed cotton fabric were fashionable at-home morning wear in the 18th century. Over time, bedgowns (also called in this context shortgowns) became the staple upper garment of British and American female working-class street wear from the 18th to early 19th centuries, worn over petticoats and often topped with an apron.
Susanna Huygens wore a long, tight white satin bodice with paned sleeves lined in pink and a matching petticoat. Her hair is worn in a mass of tight curls, and she wears pearl eardrops and a pearl necklace, 1667–69. Portrait of Barbara Villiers, mistress of King Charles II, painted by John Michael Wright, c. 1670 in the romantic style.
Gowns were worn early in the period, but fell out of fashion in the 1620s. Short cloaks or capes, usually hip-length, often with sleeves, were worn by fashionable men, usually slung artistically over the left shoulder, even indoors; a fashion of the 1630s matched the cape fabric to the breeches and its lining to the doublet. Long cloaks were ...