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Abaja can be both a basic and also a complex style. In its basic form, it is either three or four horizontal stripes on the cheeks. The Abaja style also consists of twelve horizontal lines, six lines per cheek. It is often referred to as "Abaja Alaafin Mefa Mefa". This tribal mark is unique to the indigenes of Oyo, Nigeria. [15]
Malvina Cheek, A.R.C.A., (8 July 1915 – 22 May 2016) was a British artist, best known for her work during World War II for the Recording Britain project. During the War she was commissioned for Recording Britain to make architectural records of old buildings in anticipation of their possible destruction.
Body painting is a form of body art where artwork is painted directly onto the human skin. Unlike tattoos and other forms of body art, body painting is temporary, lasting several hours or sometimes up to a few weeks (in the case of mehndi or "henna tattoos" about two weeks). Body painting that is limited to the face is known as face painting ...
Women with huadian painted on forehead, from the painting Admonitions Scroll, attributed to Gu Kaizhi. According to a legend, the huadian in floral design originated in the Southern dynasty period when a plum blossom was blown on the forehead of Princess Shouyang (a daughter of Song Wudi [4]) when she was taking a walk in the palace in early ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
The estate design was inspired by the grand English manors of the 18th century. [2] Leslie Cheek died just two years after moving into the mansion. Mabel Cheek and their daughter, Huldah Cheek Sharp, lived at Cheekwood until the 1950s, when Huldah Sharp and her husband offered the property as a site for a botanical garden and art museum.
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Village girls wearing thanaka at Ava, Burma. Thanaka (Burmese: သနပ်ခါး; MLCTS: sa.nap hka:; pronounced [θənəkʰá]) is a paste made from ground bark.It is a distinctive feature of the culture of Myanmar, seen commonly applied to the face and sometimes the arms of women and girls, and is used to a lesser extent also by men and boys.
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