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This category contains songs strongly associated with or introduced by the American comedian and writer Groucho Marx. Pages in category "Groucho Marx songs" The following 4 pages are in this category, out of 4 total.
"Hello, I Must Be Going" is a song from the Marx Brothers' 1930 film Animal Crackers, written by Bert Kalmar and Harry Ruby.It was sung by Groucho, along with Margaret Dumont, just before the dialogue that preceded the song "Hooray for Captain Spaulding".
Marx shared family and show business stories and performed songs from Marx Brothers stage shows and movies. Marvin Hamlisch performed an opening overture and accompanied Groucho on the piano. [ 2 ] A numbered, limited edition edited single picture disc edition was released in 1978, and a compact disc version was later briefly available.
Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Marx's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for ...
Lydia, the Tattooed Lady" is a 1939 song written by Yip Harburg and Harold Arlen. [1] It first appeared in the Marx Brothers film At the Circus (1939) and became one of Groucho Marx's signature tunes. It subsequently appeared in the movie The Philadelphia Story (1940), sung by Virginia Weidler as Dinah Lord.
"It's Only Money" is a song from the 1951 RKO Radio Pictures musical Double Dynamite, written by Jule Styne and Sammy Cahn and performed by Frank Sinatra and Groucho Marx.. The song's title was initially also the title song of the film, before RKO owner Howard Hughes changed the title to Double Dynamite as a reference to co-star Jane Russell's famous cleavage. [1]
The song was part of a fatalistic musical genre in the 1930s where African Americans were depicted as "fated to work the land, fated to be where they are, to never change." [ 1 ] "That's Why Darkies Were Born" has been described as presenting a satirical view of racism, [ 5 ] although others have said there is no evidence that the song was ever ...
According to comedian Groucho Marx, Berlin "never wanted to hear the song again", and Marx had always been fascinated by the tune, to the point where he believed he was the only one besides Berlin who knew its entire words and music. [6] Whenever he learned Berlin was the guest of a party, Marx would purposefully arrange that someone ask him to ...
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