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A Hakkari stele: An armed warrior man wearing a cap (1500-1000 BCE) Bronze Age anthropomorphic funerary stelae have been found in Saudi Arabia. There are similarities to the Kurgan type in the handling of the slab-like body with incised detail, though the treatment of the head is rather more realistic. [15]
The anthropomorphic being represented on the stela has, as Lumbreras describes it, serpent, eagle and feline attributes. This would be the message of shamanic transformation to which Burger refers. [ 33 ] [ 69 ] Likewise, given that the personage is carrying a San Pedro cactus in a ceremonial plaza, this fact accentuates the argument that "the ...
They are similar in style to other anthropomorphic stelae made across Europe between the 4th and 3rd millennium ... Media related to Statue stele di Arco at Wikimedia ...
Anthropomorphic woman honorary stele, with breast A megalithic stelae field in Tiya. Man honorary stele, with swords A sword symbol on a stele at Tiya. Tiya is one of nine megalithic pillar sites in the Gurage Zone. As of 1997, 118 stelae were reported in the area.
Works of sculpture have been crafted in Mongolia since prehistoric times. Bronze Age megaliths known as deer stones depicted deer in an ornamented setting. Statues of warriors, the Kurgan stelae, were created under Turkic rule from the 6th century CE, and later started to bear inscriptions in a phonetic script, the Orkhon script, which were deciphered only in the 1980s.
Another anthropomorphic stele from pre-Islamic Saudi Arabia South Arabian stele, bust of female raising her hand, with the donor's name, Rathadum, written below; 1st century BC-1st century AD; calcite-alabaster; 32.1 cm (12.6 in) x 23.3 cm (9.1 in) x 3.5 cm (1.3 in); Walters Art Museum ( Baltimore ).
The stela of king Qahedjet is 50.5 cm high, 31.0 cm wide and 3.0 cm thick and made of finely polished limestone. It was bought in 1967 by the Louvre at Paris, where it is now on display. The front shows king Qahedjet embracing an anthropomorphic form of the god Horus.
Due to the imagery being divided, one would have to circumambulate the fixture in order to fully observe its design. The Lanzon depicts an anthropomorphic figure with a snarl, claws, and teeth akin to a jaguar. The being's hair flows in all directions, ending with the heads of snakes. The eyes are stylized, commonly referred to as pendant eyes.