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Stencil technique in visual art is also referred to as pochoir. A related technique (which has found applicability in some surrealist compositions) is aerography, in which spray-painting is done around a three-dimensional object to create a negative of the object instead of a positive of a stencil design. This technique was used in cave ...
Four principal cutting techniques are used: Pulling the knife towards the artist, which results in long straight cuts. Carving patterns, which allows for figurative designs. Cutting circular holes, often in fan-like designs; Using shaped punches. The stencils are then used for resist dyeing. [2] Rice paste is passed through the stencil onto silk.
A narrow chisel-like blade with flat, angled cutting edge, positioned higher than the axis of the handle: For cutting stencils, scoring and etching No. 17: B3, 3, 3 Graduated, 3 Long, 5, 7, 9: A flat face 1.6 mm chisel blade: For narrow cuts No. 18: 4, 4 Graduated, 4 Long, 6: A 12.7 mm chisel blade: For deep cuts and scraping No. 19: 4, 4 ...
short chisel with beveled sides and straight edge for creating joints. Carving chisels used for intricate designs and sculpting; cutting edges are many; such as gouge, skew, parting, straight, paring, and V-groove. Corner chisel resembles a punch and has an L-shaped cutting edge. Cleans out square holes, mortises and corners with 90 degree angles.
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This is called "cutting a stencil". [12] A variety of specialized styluses were used on the stencil to render lettering, illustrations, or other artistic features by hand against a textured plastic backing plate. [13] Mistakes were corrected by brushing them out with a specially formulated correction fluid, and retyping once it has dried.
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