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By 1986, the theatre was recognized as one of the most important arts institutions in America by President Ronald Reagan. [2] [15] Former New York State Governor Mario Cuomo acknowledged The National Black Theatre as "one of New York State’s greatest cultural treasures and resources and a cornerstone for the revitalization of 125th Street."
The Negro Ensemble Company (NEC) is a New York City-based theater company and workshop established in 1967 by producer-actor Robert Hooks, playwright Douglas Turner Ward, and theater manager Gerald S. Krone, [1] with funding from the Ford Foundation.
When the Circle for Negro War Relief had developed a branch in New York City, New York, they also established a theater company named the Players' Guild. The Players' Guild had several performances during the 1920s at the local Harlem YMCA. One of these productions helped the actor Paul Robeson rise to stardom. After the Guild made the YMCA ...
The American Negro Theatre (ANT) was co-founded on June 5, 1940 by playwright Abram Hill and actor Frederick O'Neal. [1] Determined to build a "people's theatre", they were inspired by the Federal Theatre Project's Negro Unit in Harlem and by W. E. B. Du Bois' "four fundamental principles" of Black drama: that it should be by, about, for, and near African Americans.
Contrary to popular belief, and the unfortunate stereotypical demographic of theater-goers, Black people have long had a presence on Broadway. In fact, we have a rich, documented history with ...
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
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