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B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements. Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk ...
It is the soundtrack to the Martin Scorsese PBS documentary series The Blues. [2] The box set attempts to present a history of the blues from the dawning of recorded music to the present day. It offers a survey of many different blues subgenres and tangential music styles, as well as a survey of almost all the most notable blues performers over ...
The Blues is a 2003 documentary film series produced by Martin Scorsese, dedicated to the history of blues music. In each of the seven episodes, a different director explores a stage in the development of the blues. The series originally aired on PBS (Public Broadcasting Service) in the United States. [1]
Tina Šetkić (born 7 April 1999) [1] is a French guitarist (with Yugoslav parents) specialising in covering solos of heavy metal from Van Halen, Gary Moore, Iron Maiden, Megadeth, and Pink Floyd, and metalised classical music including pieces from Beethoven, Paganini, and Vivaldi.
The eleven separate records which compose "Blue Guitars" could as well stand on their own; in combination, however, they provide a journey through the different epochs of the Blues, showing the various components that have been added to the original African Blues over time, the changes in instrumentation, style, lyrical expression and thematic implications.
Mac's studio work in the 1960s includes playing bass on several notable blues albums, including Otis Spann's The Blues Is Where It's At [12] and John Lee Hooker's Live At Cafe Au Go Go. [13] He performed in various session work after moving to California in the 1970s. His TV work also included a four-year gig as part of the set band on Soul Train.