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The collector market of blue and white underglaze porcelain is notable due to Orientalism's popularity in Europe. Counterfeiting operations have developed both in foreign areas and within China [22] to profit from the collectability of Ming and Qing dynasty blue and white porcelain. From the baroque period onward, there was a slight decline in ...
Blue Ridge china. Blue Ridge is a brand and range of American tableware manufactured by Southern Potteries Incorporated from the 1930s until 1957. Well known in their day for their underglaze decoration and colorful patterns, Blue Ridge pieces are now popular items with collectors of antique dishware. The underglaze technique made the ...
Traditional porcelain in China included painting under the glaze as well as painting over the glaze. [13] With underglaze painting, as its name implies, the paint is applied to an unglazed object, which is then covered with glaze and fired. A different type of paint is used from that used for overglaze painting. [14]
This combined underglaze blue outlines with overglaze enamels in further colours. [68] The wucai technique was a similar combination, with underglaze blue used more widely for highlights. [69] Two-colour wares, using underglaze blue and an overglaze colour, usually red, also produced very fine results.
Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong , in whose reign it became a major kiln site, around 1004.
The body of Longquan celadon, as seen in fragments under glaze, varies from "a heavy, compact grey stoneware to an almost white porcellaneous material", but where fired at the surface this turns to a typical terracotta reddish brown, seen at the unglazed foot of many pieces, and when relief decoration is left unglazed (see below and illustration).
A group of over 15 kilns at the village of Qingliangsi, Baofeng County, Henan have been identified as the site manufacturing Ru ware. They were first identified in 1950, [24] and in 1977 the ceramic art historian Ye Zhemin found a sherd on the site which when analysed proved identical to a Ru ware sample in Beijing. [25]
During this period, Vietnamese potters readily adopted cobalt underglaze, which had already gained popularity in export markets in the Muslim world. Vietnamese blue-and-white wares sometimes featured two types of cobalt pigment: Middle Eastern cobalt yielded a vivid blue but was more expensive than the darker cobalt from Yunnan, China. [15]
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