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An inscription in Mathura discovered in 1988 mentions "The last day of year 116 of Yavana hegemony (Yavanarajya)", also attesting presence of the Indo-Greeks in the 2nd century BCE. The inscription would date to the 116th year of the Yavana era (thought to start in 186–185 BCE) which would give it a date of 70 or 69 BCE. [3]
"The second strong element of Mathura art is the free use of the Hellenistic motifs and themes; e.g, the honey-suckle, acanthus, Bacchanalian scenes conceived round an Indianised pot-bellied Kubera, garland-bearing Erotes, Tritons, Heracles and the Nemean Lion, the Eagle of Zeus and the Rape of Ganymede, were strictly classical subjects but ...
The Mathura lion capital, an Indo-Scythian sandstone capital from Mathura in Central India, and dated to the 1st century CE, describes in kharoshthi the gift of a stupa with a relic of the Buddha, by queen Nadasi Kasa, "the wife of Rajuvula" and "daughter of Aiyasi Kamuia", [10] which was an older view supported by Bühler, Rapson, Lüders and ...
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550.The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. [2]
[7] [8] The Buddhist texts refer to Avantiputta, the king of the Surasenas in the time of Maha Kachchana, one of the chief disciples of Gautama Buddha, who spread Buddhism in the Mathura region. [7] Its capital, Mathura, was situated on the bank of the river Yamuna, presently a sacred place for the Hindus. The ancient Greek writers mention ...
It is generally considered that it is in Mathura, during the time of the Kushans, that the Brahmanical deities were given their standard form: "To a great extent it is in the visual rendering of the various gods and goddesses of theistic Brahmanism that the Mathura artist displayed his ingenuity and inventiveness at their best.
The Lakulisa Mathura Pillar Inscription is a 4th-century CE Sanskrit inscription in early Gupta script related to the Shaivism tradition of Hinduism. [1] [2] [3] Discovered near a Mathura well in north India, the damaged inscription is one of the earliest evidences of murti (statue) consecration in a temple made to celebrate gurus (preceptors, gurvayatane).
The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread. The first known sculpture in the Indian subcontinent is from the Indus Valley Civilization , and a more widespread tradition of small terracotta ...