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Vito Spatafore is played by Joseph R. Gannascoli. Vito was a soldier in the DiMeo crime family and a subordinate of Tony Soprano. He was married to Marie Spatafore, who was a second cousin to high-ranking member of the Lupertazzi family, Phil Leotardo, and had two children, Vito Jr., and Francesca.
The Sopranos: Bakery Customer Episode: "The Legend of Tennessee Moltisanti" 2000–06 The Sopranos: Vito Spatafore: Recurring Cast: Seasons 2-6 2004 Law & Order: Artie Baldo Episode: "Everybody Loves Raimondo's" 2011 White Collar: Salvatore Episode: "On the Fence" 2018 John the Thief: Richard Moon Recurring Cast 2022–23 Bring on the Dancing ...
"Live Free or Die" is the 71st episode of the HBO original series The Sopranos and the sixth of the show's sixth season. Written by David Chase, Terence Winter, Robin Green, and Mitchell Burgess, and directed by Tim Van Patten, it originally aired on April 16, 2006.
The Sopranos characters we love the most. Gannett. Joe Mason, Asbury Park Press. January 13, 2024 at 5:00 AM ... When his name comes up, people always talk about Johnny Cakes, but Vito was a bad ...
John A. Costelloe (November 8, 1961 – December 16, 2008) was an American actor best known for his role as Jim "Johnny Cakes" Witowski, the lover of Vito Spatafore, in the HBO television series The Sopranos. Costelloe, a former FDNY firefighter, died of a self-inflicted gunshot wound on December 16, 2008, at the age of 47.
"The Fleshy Part of the Thigh" is the 69th episode of the HBO original series, The Sopranos, and the fourth of the show's sixth season. Written by Diane Frolov and Andrew Schneider , and directed by Alan Taylor , it originally aired on April 2, 2006.
One evening, Vito sees Jim, a volunteer firefighter, heroically rescuing a young child. He spends an evening with the firefighters at a local roadhouse; in the parking lot, Vito and Jim appear to kiss, but Vito then shoves him off. They throw punches and Jim leaves Vito beaten. Days later, Vito goes back to the diner.
The revelation that Vito Spatafore was a closeted gay man has been analyzed by critics. George De Stefano found it to be the "boldest subversion" in The Sopranos regarding gender. [3] Franco Ricci, professor of Italian studies, observed a "bridge between his publicly straight and privately gay natures" that "flaunts mobster proscriptions." [4]