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Once local bands tried to emulate the sound of Cuban son (incorrectly referred to as "rumba" in Africa, despite being unrelated to Cuban rumba), their music became known as Congolese rumba or rumba Lingala. By the late 1960s, Congolese rumba was an established genre in most of Central Africa, and it would also impact the music of West and East ...
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Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano , but also conga and rumba .
Jean de Dieu Makiese (28 May 1950 – 11 August 2007), popularly known as Madilu System, was a Congolese rhumba singer and songwriter, born in what was then Léopoldville, Belgian Congo. He was once a member of the seminal band TPOK Jazz which dominated the Congolese scene from 1960s through 1980s.
OK Jazz, later renamed TPOK Jazz (short for Tout Puissant Orchestre Kinois de Jazz), was a Congolese rumba band from the Democratic Republic of the Congo established in 1956 and fronted by Franco. The group disbanded in 1993, but reformed in 1996.
Franco Luambo is often credited for popularizing and revolutionizing sebene. [1]Sebene, also spelled seben, is an instrumental section commonly played in Congolese rumba. [2] [3] It is usually played towards the end of the song and is the dancing section where the lead and rhythm guitars take the lead in the dance.
The song, the first truly international hit of Congolese Rumba, was "Marie-Louise", co-written in 1948 by Wendo Kolosoy and Henri Bowane. Through the publicity of Radio Congolia , along with the controversy which followed the song (a back-and-forth between Wendo and Henri over Wendo's pursuit of a girl, thwarted by Henri's wealth, with ...
Lokua Kanza (left) and Yekima on the set of the music video Rumba Parlée. On 25 March 2010, Kanza released his seventh studio album Nkolo. [26] The album reflects Kanza's connection to his mother tongue, Lingala, and spirituality, accentuated by sober and delicate notes: chiseled guitars, thumb piano, Martenot waves, and Cristal Baschet.
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