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"Dollar Bill" is a song by the American alternative rock group Screaming Trees. It is the second single released in support of their sixth album, Sweet Oblivion . Formats and track listing
The name alludes to traditional origami, which is the Japanese art of folding flat materials, generally paper, into figures resembling various objects. Other examples of moneygami include folding bills into clothing-like bits, such as dollar bills becoming bowties .
In 1993, he wrote the song "999 Roses" (九佰九拾九朶玫瑰), which turned out to be a huge success and big hit. His most popular songs include "999 Roses", "Thousand Origami Cranes" (千紙鶴), "1001 Nights" (一千零一夜) and "Let You Hear My Heart Beating" (心要讓你聽見) etc. He subsequently released 30 albums.
Andrea Elena Mangiamarchi, known by her stage name ELENA ROSE (stylised in all caps), is a Venezuelan singer and songwriter from Miami, Florida.As a collaborator, Rose is perhaps best known for working with Mexican-American singer Becky G, notably on songs such as "Dollar" (with Myke Towers), "Mejor Así" (with Darell), "Funk Total: Vai Danada" (with Gabily and PK), "Muchacha" (with Gente de ...
"Million Dollar Bill" is a song performed by American recording artist Whitney Houston from her seventh and final studio album, I Look to You (2009). The song was written by Alicia Keys , her husband Kaseem "Swizz Beatz" Dean and Norman Harris , and produced by Keys and Beatz.
The accompanying music video for "Bills, Bills, Bills", directed by Darren Grant, was filmed in a beauty salon as a tribute to Beyoncé's mother Tina Knowles. In 2021, the song resurged in popularity on streaming platforms, as well as TikTok, where it became the most popular "comeback" track in the United States and the United Kingdom that year.
"Sweetest Girl (Dollar Bill)" is the lead single from Haitian rapper Wyclef Jean's sixth studio album, Carnival Vol. II: Memoirs of an Immigrant. The R&B and hip hop song features vocals from Niia and Akon, as well as rapper Lil Wayne. Verizon Wireless released the song on their V CAST service on August 7, 2007.
The song was published in 1931, though a song using the same title, with a similar lyric by Rose and different music, had been published five years earlier. [1] It was introduced in the Broadway musical Billy Rose's Crazy Quilt, which opened in May, 1931, where it was sung by Fanny Brice. [1] Many versions of the song were recorded in 1931.