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The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
[3] [6] Both believe Dürer produced the drawing as a study for his 1506 watercolor, The Virgin with a Multitude of Animals. [6] Fritz Koreny, a former curator at the Albertina and a current researcher at the Institute for Art History at the University of Vienna, attributes the drawing to Hans Baldung. [1] Baldung was a student of Dürer.
The Virgin and the laughing Child, Leonardo da Vinci, from Victoria and Albert Museum, London [1] The Virgin and Laughing Child, also called The Virgin with the laughing Child, or generally abbreviated as another of many depictions of the Virgin and Child, [1] is a statuette originating in Florence and was made circa 1460. [1]
Edward Hodges Baily RA FRS (10 March 1788 – 22 May 1867; sometimes misspelled Bailey) was a prolific British sculptor responsible for numerous public monuments, portrait busts, statues and exhibition pieces as well as works in silver.
Hans Leinberger (1510–1530), 1 sculpture : Virgin and Child, Parish church, Moosburg (Bavaria) François-Frédéric Lemot (1772–1827), 1 sculpture : Equestrian Statue of Henri IV, Pont-Neuf, Paris ; Jean-Baptiste Lemoyne I (1679–1731), 1 sculpture : The Death of Hippolytus, Musée du Louvre, Paris
The Madonna of Bruges is a marble sculpture by Michelangelo of the Virgin and Child. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only ...
The Virgin and Child are shown accompanied by the saints Stephen, Jerome, and Maurice. [2] Gronau thinks that this picture may belong to the period about 1508 to 1510. [2] The Louvre dates it to between 1510 and 1525. [1] The type of the Virgin here is like the one in the Madrid Sacra Conversazione and the Annunciation in Treviso. [3]