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Christ with the Woman Taken in Adultery, by Guercino, 1621 (Dulwich Picture Gallery) Christ and Sinner, 1873 by Henryk Siemiradzki Christ and the Woman Taken in Adultery, 1565 by Pieter Bruegel, oil on panel, 24 cm × 34 cm (9.4 in × 13.4 in) Christ and the woman taken in adultery, drawing by Rembrandt
The Woman Taken in Adultery, 1520s by Lorenzo Lotto. The story of the woman taken in adultery is found only in the Gospel of John. In the story, Jesus was teaching in the Temple in Jerusalem. Some scribes and Pharisees interrupted his teaching as they brought in a woman who had been taken in the very act of adultery. [51]
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
Christ and the Woman Taken in Adultery, Hermitage Museum, Russia. According to the New Testament, Christ saved a woman accused of adultery from an angry mob seeking to punish her, by saying: "He that is without sin among you, let him first cast a stone at her". Christ in the House of Martha and Mary, Diego Velázquez, 1618. Unusually for his ...
Christ and the Adulteress, also called Christ and the Woman Taken in Adultery, and The Adulteress Brought before Christ, is an oil painting usually attributed to Titian and painted early in his career, c. 1508-1510. It hangs in the Kelvingrove Art Gallery and Museum, in Glasgow. [1]
It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil with eyes closed and breasts visible, with her hands folded, begging for mercy, at his feet.
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The concept for the future canvas, entitled Christ and the Woman Taken in Adultery, was first conceived in 1868, [11] [12] influenced by Alexander Andreyevich Ivanov's painting The Appearance of Christ Before the People. Polenov set himself the task of creating "Christ not only coming, but already in the world, making his way among the people".