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Behold a Pale Horse is a 1964 American drama film directed by Fred Zinnemann and starring Gregory Peck, Omar Sharif and Anthony Quinn.The film is based on the 1961 novel Killing a Mouse on Sunday by Emeric Pressburger, which loosely details the life of the Spanish anarchist guerrilla Francesc Sabaté Llopart.
Milton William "Bill" Cooper (May 6, 1943 – November 5, 2001) was an American conspiracy theorist, radio broadcaster, and author known for his 1991 book Behold a Pale Horse, in which he warned of multiple global conspiracies, some involving extraterrestrial life.
Behold a Pale Horse: September 3, 1964: The Little Priest: Mexican film; co-production with Posa Films October 1, 1964: Lilith: co-production with Centaur Productions October 7, 1964: Fail Safe: November 9, 1964: The Pumpkin Eater: U.S. distribution only; produced by Royal Films International November 10, 1964: The Finest Hours: November 20 ...
Behold a Pale Horse (film) C. Captain Newman, M.D. T. To Kill a Mockingbird (film) This page was last edited on 10 April 2024, at 18:41 (UTC). Text is available under ...
Killing a Mouse on Sunday is a 1961 thriller novel by the British-Hungarian writer Emeric Pressburger, best known as a film producer.In Francoist Spain a Civil Guard officer attempts to lure a notorious exiled guerilla fighter back across the border from France.
Behold a Pale Horse may refer to: "Behold a pale horse", a phrase taken from the biblical Book of Revelation; Behold a Pale Horse, a 1964 film directed by Fred Zinnemann; Behold a Pale Horse, a 1991 book by Milton William Cooper; Behold! A Pale Horse, a 2009 album by The Ghost and the Grace; Behold, a Pale Horse, a 2013 album by Ebony Bones
“The great danger is doing safe work,” says Cooper, the writer-director-producer of the elegant whodunit “The Pale Blue Eye,” streaming Friday on Netflix. “And Christian is on that ledge ...
Behold A Pale Horse (1964) was a post-Spanish Civil War epic based on the book Killing a Mouse on Sunday by Emeric Pressburger and starred Gregory Peck, Anthony Quinn and Omar Sharif, but was both a critical and commercial flop; Zinnemann would later admit that the film "didn't really come together." [18]
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