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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
The person who brought realism in Hindi prose literature was Munshi Premchand, who is considered the most revered figure in the world of Hindi fiction and progressive movement. Literary, or Sāhityik, Hindi was popularised by the writings of Swami Dayananda Saraswati, Bhartendu Harishchandra and others. The rising numbers of newspapers and ...
The meaning of "relevance" in U.S. law is reflected in Rule 401 of the Federal Rules of Evidence. That rule defines relevance as "having any tendency to make the existence of any fact that is of consequence to the determinations of the action more probable or less probable than it would be without the evidence".
Kamayani (Hindi : कामायनी) (1936) is a Hindi epic poem by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. [1]
Chhayavad (Hindi: छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, [1] and was marked by an increase of romantic and humanist content.
Sphoṭa (Sanskrit: स्फोट, IPA: [ˈspʰoːʈɐ]; "bursting, opening", "spurt") is an important concept in the Indian grammatical tradition of Vyakarana, relating to the problem of speech production, how the mind orders linguistic units into coherent discourse and meaning.
Pages in category "Hindi-language literature" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. A. Alha-Khand;
As a result, the prestige of Persian Literature influenced the Hindu poet in his selection of non-Persian literary traditions, and there was a simultaneous interest of both Hindi and Urdu poets in similar aspects of their respective traditions—particular themes and imagery, the couplet form, poetic figures and alliteration. Although outwardly ...