Search results
Results from the WOW.Com Content Network
City of God (Portuguese: Cidade de Deus) is a 1997 semi-autobiographical novel by Paulo Lins, about three young men and their lives in Cidade de Deus, a favela in Western Rio de Janeiro where Lins grew up. [1] It is the only novel by Lins that has been published. It took Lins 8 years to complete the book.
The City of God is marked by people who forgo earthly pleasure to dedicate themselves to the eternal truths of God, now revealed fully in the Christian faith. The Earthly City, on the other hand, consists of people who have immersed themselves in the cares and pleasures of the present, passing world.
The term City of God may refer to The City of God (De civitate Dei), a fifth-century book by St. Augustine of Hippo, and subsequently to the Roman Catholic Church and its unity with civil power, such as existed between it and the Holy Roman Empire in the Middle Ages. There are many derivative works and institutions:
An armed gang chases after an escaped chicken in a favela called the City of God.The chicken stops between the gang and a young man nicknamed Rocket. In the 1960s, three impoverished, amateur thieves known as the "Tender Trio" – Shaggy, Clipper, and Rocket's older brother, Goose – rob business owners and share the money with the community who, in turn, hide them from the police.
City of God consists of short stories and poems. The title of the book alludes to the theological masterpiece of Church Father Augustine of Hippo, The City of God, published in 426 AD. [3] [9] In his treatise, Augustine examines the conflict between the "City of Man" (an earthly city) and the holy, eternal "City of God." Cuadros's choice of ...
God is dead" (German: Gott ist tot [ɡɔt ɪst toːt] ⓘ; also known as the death of God) is a statement made by the German philosopher Friedrich Nietzsche. The first instance of this statement in Nietzsche's writings is in his 1882 The Gay Science , where it appears three times.
David Maclaine called City of God a "gripping" novel of "slowly mounting tension leading to an intense pay-off. It is a brilliant introduction to the people and events that gave us the word 'Machiavellian.'" [1] According to Library Review, "Holland attributes to Nicholas a keenly analytical mind, a self-serving nature, and a penchant for other men, facets which blend well with her ...
The theme of God's "death" became more explicit in the theosophism [clarification needed] of the 18th- and 19th-century mystic William Blake.In his intricately engraved illuminated books, Blake sought to throw off the dogmatism of his contemporary Christianity and, guided by a lifetime of vivid visions, examine the dark, destructive, and apocalyptic undercurrent of theology.