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The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
On 5 May 2011, the painting The Meeting of Antony and Cleopatra: 41 BC was sold at the same house for $29.2 million. [51] Alma-Tadema's The Tepidarium (1881) is included in the 2006 book 1001 Paintings You Must See Before You Die. Julian Treuherz, Keeper of Art Galleries at National Museums Liverpool, describes it as an "exquisitely painted ...
The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party.
Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
Pages in category "1887 paintings" ... The Women of Amphissa This page was last edited on 27 December 2022, at 13:52 (UTC). Text is available under the ...
Lawrence Alma-Tadema – The Women of Amphissa; Otto Bache – Christian IV's Coronation, 1596; William Gerard Barry – Time Flies; Albert Bettannier – The Black Spot (La tache noire) (or The Geography Lesson) Anna Bilińska – Self-Portrait with Apron and Brushes; Joseph Boehm – Jubilee Head of Queen Victoria on British coinage
In Greek mythology, Amphissa (Ancient Greek: Ἄμφισσα) or simply, Issa (/ˈiːsɑː/; Ἴσσα) was the daughter of Macareus and a lover of Apollo. She was the eponym of the city Amphissa in Ozolian Locris , [ 1 ] [ 2 ] where her memory was perpetuated by a splendid monument.
The painting illustrates a passage by the poet Hermesianax, recorded by Athenaeus in his Deipnosophistae ("The Philosophers' Banquet"), book 13, page 598. The location, with tiers of white marble seating, is based on the Theatre of Dionysus in Athens, but Alma-Tadema replaced the original inscribed names of Athenians with the names of Sappho's ...