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William Butler Yeats [a] (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature.He was a driving force behind the Irish Literary Revival, and along with Lady Gregory founded the Abbey Theatre, serving as its chief during its early years.
William Butler Yeats "The Wild Swans at Coole" is a lyric poem by the Irish poet William Butler Yeats (1865–1939). Written between 1916 and early 1917, the poem was first published in the June 1917 issue of the Little Review, and became the title poem in the Yeats's 1917 and 1919 collections The Wild Swans at Coole.
The Countess Kathleen and Various Legends and Lyrics is the second poetry collection of W. B. Yeats. [1] [2]It includes the play The Countess Cathleen and group of shorter lyrics that Yeats would later collect under the title of The Rose in his Collected Poems.
A second poem written by W. B. Yeats, "Byzantium", extends and complements "Sailing to Byzantium". It blends descriptions of the medieval city in nighttime darkness with spiritual, supernatural and artistic imagery. Canadian author Guy Gavriel Kay's historical fantasy two-part series The Sarantine Mosaic was inspired by this poem. [6]
"A Prayer for My Daughter" is a poem by William Butler Yeats written in 1919 and published in 1921 as part of Yeats' collection Michael Robartes and the Dancer.It is written to Anne, his daughter with Georgie Hyde-Lees, whom Yeats married after his last marriage proposal to Maud Gonne was rejected in 1916. [1]
Limited First Edition, In the Seven Woods by W. B. Yeats. In the Seven Woods: Being Poems Chiefly of the Irish Heroic Age is a volume of poems by W. B. Yeats, published in 1903 by Elizabeth Yeats's Dun Emer Press, the first edited by this publishing house. [1] Dun Emer published two editions of the book in 1903.
The speaker of the poem is the character Aedh, who appears in Yeats's work alongside two other archetypal characters of the poet's myth: Michael Robartes and Red Hanrahan. The three characters, according to Yeats, represent the "principles of the mind;" whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism ...
The poem is settled in the rose, to the point that the poem’s tone is one of sweet, suffering melancholy, a tone that is reaching for the sublime. In the 1890s, says Stephen Coote, Yeats was concerned for the "spiritual regeneration of his people": he felt that a spiritual posture of awe, a posture taken before those things that were ...