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The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William Burroughs .
The Nova Trilogy (as well as a passage in the book on the cut-up technique named Minutes to Go) feature the character Hassan-i Sabbah and his final words Nothing is true—everything is permitted. Burroughs was introduced to Hassan through Betty Bouthoul, who had written an extensive book on the assassins titled The Master of the Assassins ...
The book is a combination of literary essays and writing showcasing the cut-up technique popularized by Burroughs and Gysin in the 1960s. Cut-ups involves taking texts, cutting the pages, and then rearranging and combining the pieces to form new narratives.
Fiveable, an online learning community for high school students, made its first-ever acquisition earlier this week: Hours, a virtual study platform built by a 16-year-old. Fiveable is a free ...
Éclaboussure is a process in Surrealist painting where oil paints or watercolours are laid down and water or turpentine is splattered, then soaked up to reveal random splatters or dots where the media was removed. This technique gives the appearance of space and atmosphere. It was used in paintings by Remedios Varo.
Literary movement. Beat, Postmodern, Asemic writing. Brion Gysin (19 January 1916 – 13 July 1986) was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs.
The cut-up technique is an aleatory literary technique in which a written text is cut up and rearranged, often at random, to create a new text. The technique can also be applied to other media: film, photography, audio recordings, etc. It was pioneered by Brion Gysin and William S. Burroughs. [49]
Hauntology. vaporwave. Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", [1] and eventually explicitly defined in the liner notes of his Grayfolded album.