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Themes and Songs from The Quiet Man is a Decca Records album by Victor Young and Bing Crosby featuring the music used in the Republic Pictures film The Quiet Man. It was issued as a 10” LP with catalog No. DL5411 [1] and as a 4-disc 45rpm set (9–342).
1950s sheet music front cover of "The Isle of Innisfree". This edition was released to coincide with the song's use as the main theme music of the film The Quiet Man.. The "Isle of Innisfree" is a song composed by Dick Farrelly (Irish songwriter, policeman and poet, born Richard Farrelly), who wrote both the music and lyrics.
There is also a highly acclaimed interpretation of this song by Sinéad Stone and Dick's son, musician Gerard Farrelly on their album "Legacy of a Quiet Man". The album is a collection of songs written by Dick Farrelly and was the subject of an RTÉ television documentary 'Nationwide'.
The Quiet Man is a 1952 American [2] romantic comedy drama film directed and produced by John Ford, and starring John Wayne, Maureen O'Hara, Victor McLaglen, Barry Fitzgerald, Arthur Shields and Ward Bond.
The score included the ballads, "He Makes Me Feel I'm Lovely" and "I Have My Own Way", for Fagan and Lund, respectively, as well as "I Wouldn't Bet One Penny" and "Dee-lightful Is the Word" for the secondary couple, as well as a lively title song and the assertive "Sez I," which framed the show at the top of the first act and the end of the second.
Quiet storm radio programs thrived in the 1980s, with many stations across the US carrying a quiet storm program at night, and a few stations broadcasting in the format all day long. [3] The field adapted in the 1990s as new listeners embraced neo-soul experimentation, hip hop samples and beats, as well as more explicit themes.
Zanobard Reviews gave 6/10 to the score and wrote "Henry Jackman’s score for The Gray Man is an interesting one for sure. The opening seventeen minute long suite is the absolute highlight of the album, building quite a rich musical atmosphere for the score that initially shrouds itself in quiet, spy-like secrecy, before the music then slowly builds with some rather Blade Runner 2049-esque ...
Fanfare for the Common Man is a musical work by the American composer Aaron Copland.It was written in 1942 for the Cincinnati Symphony Orchestra under conductor Eugene Goossens and was inspired in part by a speech made earlier that year by then American Vice President Henry A. Wallace, in which Wallace proclaimed the dawning of the "Century of the Common Man".