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Parallel Lines is the third studio album by American rock band Blondie, released on September 8, 1978, [2] by Chrysalis Records.An instant critical and commercial success, the album reached No. 1 on the UK Albums Chart in February 1979 and proved to be the band's commercial breakthrough in the United States, where it reached No. 6 on the Billboard 200 in April 1979.
Pretty Baby may refer to: Pretty Baby, a comedy ... "Pretty Baby", a song by Blondie from Parallel Lines "Pretty Baby", a song by Kool & The Gang from As One
The box set includes 15 CD singles, and albums from Blondie to The Hunter are represented. Original Era: Released: 2016; Label: Universal; Format: 6 LPs — The box set includes first six studio albums from Blondie to The Hunter with reproductions of the original album artworks, and is packed in a Parallel Lines-themed slipcase box. Against the ...
Billy Murray's 1916 recording has lyrics as follows: Verse 1. You ask me why I'm always teasing you. You hate to have me call you "Pretty Baby." I really thought that I was pleasing you, For you're just a baby to me. Your cunning little dimples and your baby stare, Your baby talk and baby walk and curly hair, Your baby smile Makes life worthwhile.
"Picture This" is a 1978 song by the American rock band Blondie, released on their third album, Parallel Lines.Written by Chris Stein, Debbie Harry and Jimmy Destri, the song features evocative lyrics that producer Mike Chapman surmised were written by Harry about Stein.
The actress was 11 years old when she was cast in Pretty Baby as Violet, the 12-year-old occupant of a New Orleans brothel who has a romance with Carradine's adult photographer. Already ...
The song gained international attention in 1980, when a cover version by the American band Blondie became a US and UK number one hit. [2] The song topped the UK Singles Chart again in 2002 with a version by the British girl group Atomic Kitten , while Canadian rapper Kardinal Offishall had a minor hit with his interpretation in 2008.
Reviewing Blondie in 1977 for Rolling Stone, Ken Tucker called the album "a playful exploration of Sixties pop interlarded with trendy nihilism" and found that all the songs "work on at least two levels: as peppy but rough pop, and as distanced, artless avant-rock". He noted that Harry performed with "utter aplomb and involvement throughout ...