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In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love, [1] summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. [1]
This symbol can be seen on the Cave's metal door, on the Emerald Tablet, in The Stranger's papers, and in the Sic Mundus photo. [10] The Triquetra is shown on Thor's hammer, Mjölnir, in the 2011 film Thor. After Odin utters to Mjölnir the words "Whosoever holds this hammer, if he be worthy, shall possess the power of Thor", the Triquetra ...
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
"Macha Curses the Men of Ulster", Stephen Reid's illustration from Eleanor Hull's The Boys' Cuchulainn (1904) Macha (Irish pronunciation:) was a sovereignty goddess [1] [2] of ancient Ireland associated with the province of Ulster, particularly the sites of Navan Fort (Eamhain Mhacha) [3] and Armagh (Ard Mhacha), [4] which are named after her. [5]
Sovereignty goddess is a scholarly term, almost exclusively used in Celtic studies (although parallels for the idea have been claimed in other traditions, usually under the label hieros gamos). [1] The term denotes a goddess who, personifying a territory, confers sovereignty upon a king by marrying or having sex with him.
Rhiannon (Welsh pronunciation: [r̥iˈan.ɔn]) is a major figure in Welsh mythology, appearing in the First Branch of the Mabinogi, and again in the Third Branch. Ronald Hutton called her "one of the great female personalities in World literature", adding that "there is in fact, nobody quite like her in previous human literature". [2]
Women in Britain 2,000 years ago appear to have passed on land and wealth to daughters not sons as communities were built around women's blood lines, according to new research.
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)