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The character's eye shapes and sizes are sometimes symbolically used to represent the character. For instance, bigger eyes will usually symbolize beauty, innocence, or purity, while smaller, more narrow eyes typically represent coldness and/or evil. Completely blackened eyes (shadowed) indicates a vengeful personality or underlying deep anger.
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Disney's Star vs. the Forces of Evil, Amphibia, and The Owl House are all American-made cartoons, but it is notable for having some obvious anime influences regardless, in part due to the three being partially influenced by anime such as Sailor Moon and Dragon Ball Z; each animation are characterized by large, expressive eyes, colorful hair on ...
In the anime, Choukai has a disturbing chuckle. Ran Pao Pao (狼暴暴) Voiced by: Yūko Nagashima (Japanese); Dina Sherman (Pioneer) (English) A demon enforcer under Chōkai's command. Normally appears as an 8-foot (2.4 m) tall muscular and pale skinned woman with flared red hair, long teeth, and completely red eyes.
Wallpaper Engine is an application for Windows with a companion app on Android [3] which allows users to use and create animated and interactive wallpapers, similar to the defunct Windows DreamScene. Wallpapers are shared through the Steam Workshop functionality as user-created downloadable content .
The eyes will slowly follow the location of one's cursor. [citation needed] The same googly eyes appear when actors from Everything Everywhere All at Once are Googled (e.g. "michelle yeoh", "ke huy quan", "stephanie hsu"), in reference to the movie. [citation needed]
[24] [25] SEELE's logo refers to biblical descriptions of God having seven eyes (Zechariah 3:9, the "stone with seven eyes", and Revelation 5:6, where the Lamb of God has seven eyes). [26] [27] Broderick writes, "Anno's project is a postmodernist retelling of the Genesis myth, as his series title implies—Neon Genesis Evangelion.
Cat's Eye (Japanese: キャッツ♥アイ, Hepburn: Kyattsu Ai, stylized as CAT'S♥EYE) is a Japanese manga series written and illustrated by Tsukasa Hojo. It was serialized in Shueisha 's shōnen manga magazine Weekly Shōnen Jump from 1981 to 1985, with its chapters collected into 18 tankōbon .