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  2. C-sharp major - Wikipedia

    en.wikipedia.org/wiki/C-sharp_major

    In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit.

  3. Key signature - Wikipedia

    en.wikipedia.org/wiki/Key_signature

    A piece in a major key might modulate up a fifth to the dominant (a common occurrence in Western music), resulting in a new key signature with an additional sharp. If the original key was C-sharp, such a modulation would lead to the theoretical key of G-sharp major (with eight sharps) requiring an F in place of the F ♯. This section could be ...

  4. Hungarian Rhapsody No. 2 - Wikipedia

    en.wikipedia.org/wiki/Hungarian_Rhapsody_No._2

    The piece consists of two distinct sections. The first is the lassan, with its brief introduction. Although beginning on the C-sharp major triad, C-sharp minor is soon established as the home key. From this point on, the composer modulates freely, particularly to the tonic major and the relative major.

  5. Key signature names and translations - Wikipedia

    en.wikipedia.org/wiki/Key_signature_names_and...

    When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...

  6. Category:Compositions in C-sharp major - Wikipedia

    en.wikipedia.org/wiki/Category:Compositions_in_C...

    Pages in category "Compositions in C-sharp major" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. ...

  7. A major - Wikipedia

    en.wikipedia.org/wiki/A_major

    For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys. Hector Berlioz complained about the custom of his day in which timpani tuned to A and E a fifth apart were notated C and G a fourth apart, a custom which survived as late as the music of Franz Berwald .

  8. C♯ (musical note) - Wikipedia

    en.wikipedia.org/wiki/C%E2%99%AF_(musical_note)

    C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭. It is the second semitone in the French solfège and is known there as do dièse. In some European notations, it is known as Cis.

  9. Prelude and Fugue in C-sharp major, BWV 872 - Wikipedia

    en.wikipedia.org/wiki/Prelude_and_Fugue_in_C...

    Prelude and Fugue in C-sharp major, BWV 872, is a keyboard composition written by Johann Sebastian Bach. It is the third prelude and fugue in the second book of The Well-Tempered Clavier , a series of 48 preludes and fugues in every major and minor key.