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Billboard number-one singles charts preceding the Billboard Hot 100 were updated weekly by Billboard magazine and the leading indicator of popular music for the American music industry since 1940 and until the Billboard Hot 100 chart was established in 1958.
Pat Boone became one of the most successful artists of the 50s with his heavily pop-influenced "covers" of R&B hits like "Two Hearts, Two Kisses (Make One Love)", "Ain't That a Shame", and "At My Front Door (Crazy Little Mama)". Boone got his fame by covering black R&B hits; his cover versions of the original artists outsold the originals.
The Golden Gate Quartet; The Harptones; The Hearts; The Heathertones; The Hilltoppers; The Hollywood Flames; Johnny & The Hurricanes; The Impalas; Little Anthony and the Imperials; The Impressions; The Ink Spots; The Isley Brothers; The Jewels; The Jesters; The Jive Bombers; The Jive Five; Don & Juan; The Jubalaires; The Kingston Trio; Kings of ...
Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During ...
For "The Rock'n'Roll Era," four such box sets were issued: The Rock n' Roll Era: Greatest Hits (two volumes), The Rock n' Roll Era - One Hit Wonders of the '50s & '60s, and The Rock n' Roll Era - Senior Prom: Greatest Hits; additionally, there was a Christmas three-CD/cassette box set, called The Rock n' Roll Era Christmas Hits.
Male Black singers from the 50s, in particular, risked their careers by defying restrictive notions of appropriate behavior and dress for Black men. In so doing, subversive artists like Little ...
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
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