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In architecture and other decorative arts, diaper is applied as a decorative treatment of a surface with a repeat pattern of squares , rectangles, or lozenges. Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1]
The cross-section of each mullion or tracery bar was important both for the structural integrity of the window and for the visual effect. As can be seen in Viollet-le-Duc's diagram (right) there was normally a roll-moulding on both the inside and outside of the windows, which made the mullions appear even more slender than they actually were.
The makers of stained glass were declared exempt from taxes at the end of the 15th century by King Charles V of France. [25] Stained glass artists also began to have a wider variety of clients; not only kings but also wealthy aristocrats and merchants. Windows were made not only for cathedrals but also for town halls and palatial residences.
The term stained glass is also applied enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the ...
It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, sometimes filled with stained glass. Although the design is often referred to as of Islamic origin, there are examples of its use that precede the birth of Islam by almost 200 years.
A Baroque oculus without tracery or stained glass can be seen at San Jose Mission in San Antonio, Texas, which was founded by the Franciscan Fathers and dates from 1718 to 1731. The largest rose window in the United States is The Great Rose Window above the main doors of the Cathedral of St. John the Divine in New York City.
This is a partial list of works by English stained glass artist, Karl Parsons (1884–1934), for churches and cathedrals. In writing about his craft Parsons wrote that to be worthy of it the stained glass artist had to have "a vocation for his job. He must be an artist who loves glass, the look and the feel and the mystery of it.
Traditionally, leadlight windows differ from stained glass windows principally in being less complex in design and employing simpler techniques of manufacture. Stained glass windows, such as those commonly found in churches, usually include design components that have been painted onto the glass and fired in a kiln before assembly.
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