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"Let It Whip" is a 1982 single by Dazz Band and their biggest hit, peaking at number one on the R&B chart for five non-consecutive weeks. [2] The single also reached number two on the Dance chart [ 3 ] and number five on the Billboard Hot 100 chart. [ 4 ]
The album's title track began a string of hits starting in March 1981. The group's next album Let the Music Play (1981) [2] featured the single "Knock! Knock!" which reached the top 50. Dazz Band's breakthrough came with the hit "Let It Whip", [2] written and produced by Reggie Andrews, from their Keep It Live (1982) album. [2] "
The first is in equal temperament; the second is in just intonation. The pair of chords is repeated with a transition from equal temperament to just intonation between the two chords. In the equal temperament chords a roughness or beating can be heard at about 4 Hz and about 0.8 Hz. In the just intonation triad, this roughness is absent.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... IV-V-I-vi chord progression in C major: 4: Major I–V–vi ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
The so-called "Pythagorean tuning" was used by musicians up to the beginning of the 16th century. "The Pythagorean system would appear to be ideal because of the purity of the fifths, but some consider other intervals, particularly the major third, to be so badly out of tune that major chords [may be considered] a dissonance." [2]
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).
The information in the specific section Concert_pitch#Controversial_claims_for_432_Hz first redirected to was not a good representation of the subject. 432 Hz is not only a controversial claim, but also has uncontroversial historical use. Much more info on explicitly 432 Hz exist in both articles Concert pitch and Scientific pitch.