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"Let It Whip" is a 1982 single by Dazz Band and their biggest hit, peaking at number one on the R&B chart for five non-consecutive weeks. [2] The single also reached number two on the Dance chart [ 3 ] and number five on the Billboard Hot 100 chart. [ 4 ]
The album's title track began a string of hits starting in March 1981. The group's next album Let the Music Play (1981) [2] featured the single "Knock! Knock!" which reached the top 50. Dazz Band's breakthrough came with the hit "Let It Whip", [2] written and produced by Reggie Andrews, from their Keep It Live (1982) album. [2] "
Sennie "Skip" Martin III (born June 25, 1957, in San Francisco, California, U.S.) is an American musician, now based in Las Vegas.He is a lead vocalist, trumpet player, songwriter and producer who was formerly lead vocalist for Kool & The Gang (1988–2007) and the Dazz Band, winning a Grammy Award with the latter group for the song “Let It Whip”.
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide The following is a list of ... I–V–vi–IV chord progression in C: 4:
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
The first is in equal temperament; the second is in just intonation. The pair of chords is repeated with a transition from equal temperament to just intonation between the two chords. In the equal temperament chords a roughness or beating can be heard at about 4 Hz and about 0.8 Hz. In the just intonation triad, this roughness is absent.
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).
The so-called "Pythagorean tuning" was used by musicians up to the beginning of the 16th century. "The Pythagorean system would appear to be ideal because of the purity of the fifths, but some consider other intervals, particularly the major third, to be so badly out of tune that major chords [may be considered] a dissonance." [2]