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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Pioneers of Philippine Art showcases the 100 years of Philippine art from the late 19th century to the 20th century in the works of three famous Filipino artists namely Juan Luna, Fernando Amorsolo and Fernando Zobel. [19] Paintings of Amorsolo includes Palay Maiden (1920), Maiden with Lanzones (1924), Maiden in a Flower Garden (1948), Portrait ...
Among its collections is a commissioned copy of Ritual Dance by Fernando Amorsolo-the original copy is lost in 1972, and the History of Philippine Music dated 1931. The Parisian Life by Juan Luna estimated in 2009 to value around P200 million, was formerly part of the museum's collections but was transferred to the National Museum of Fine Arts ...
Apart from its overall look, the house is also a repository of art finds collected by the owner-curator Ramon Hofileña and his family. The second floor is a gallery of over 1,000 art treasures, featuring the paintings and sketches of national artists Juan Luna , Felix Resurrecion Hidalgo , Fernando Amorsolo , Ang Kiukok , Vicente Manansala ...
Displayed on opposite sides of the foyer are two mural paintings by National Artist Fernando Amorsolo, titled The Dance and The History of Music. [8] Since the 1996 foreclosure, the original murals are in the GSIS Museum and so reproductions were made for the NCCA-led restoration. [ 10 ]
Fabián de la Rosa, the mentor and uncle of Fernando Amorsolo and his brother Pablo Amorsolo (1898–1945) had his own technique of painting women. De la Rosa painted a group of Women Working in a Rice Field in 1902 and his portrait of a Young Filipina in 1928. Pablo Amorsolo himself painted his own rendition of a female Fruit Vendor (undated).
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