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Totem pole in Vancouver, British Columbia Totem poles at the Museum of Anthropology at the University of British Columbia. The meanings of the designs on totem poles are as varied as the cultures that make them. Some poles celebrate cultural beliefs that may recount familiar legends, clan lineages, or notable events, while others are mostly ...
A totem (from Ojibwe: ᑑᑌᒼ or ᑑᑌᒻ doodem) is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system.
A ceremonial pole is a stake or post utilised or venerated as part of a ceremony or religious ritual. Ceremonial poles may symbolize a variety of concepts in different ceremonies and rituals practiced by a variety of cultures around the world. In many cultures, ceremonial poles represent memorials and gravemarkers.
The Pole of Sag̱aw̓een was carved by Oyee to commemorate Chief Sag̱aw̓een from the Eagle tribe (Gitlaxluuks clan). At 81 feet (25 m) tall, this pole is the tallest pole carved on the Nass River. It stood in the village of Gitiks alongside two other Eagle poles: first, the Eagle's Nest Pole, and later in 1885, joined by the Halibut Pole of Laay.
A sotdae (Korean pronunciation:) is a tall wooden pole or stone pillar with a carved bird on its top, built for the purpose of folk belief in Korea. [1] [2] [3] Like jangseung, wooden totem poles with a sculpted human face, it was usually erected near the entrance of a village to ward off evil spirits as well as to represent villagers' wishes for prosperity and well-being.
From the Land of the Totem Poles. University of Washington Press. ISBN 0-295-97022-7. The Kwakiutl Indians of British Columbia by Ronald Rohner and Evelyn Bettauer; The mouth of heaven: An introduction to Kwakiutl religious thought by Irving Goldman; Franz Boas (1910). Kwakiutl Tales. ISBN 0-295-97022-7
Toth dismisses the notion that the Whispering Giant sculptures are totem poles or represent Native American art, and has further stated that it would be inappropriate to carve totems because they were traditionally carved by Northwestern Indian tribes and had religious significance, where his carvings are intended as sculptures of Native ...
The original totem pole had been repainted with successive coats of non-Tlingit colors in an attempt to preserve the pole. [39] The replica, however, used the native Tlingit colors of black, red and blue-green. [39] Totem poles are read from top to bottom, with the topmost figure identifying the owner. [40]