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Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...
Faiz Ahmad Faiz [a] MBE NI (13 February 1911 – 20 November 1984) [2] was a Pakistani poet and author of Punjabi and Urdu literature. Faiz was one of the most celebrated, popular, and influential Urdu writers of his time, and his works and ideas remain widely influential in Pakistan and beyond. [3]
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]
Umro Ayyar or Amar Ayyar is a fictional character, an ayyār, [a] in Tilism-e-Hoshruba, an Urdu recension of the Islamic epic Hamzanama (originally in Persian). He was first written about during the time of Mughal Emperor Akbar and many stories and novels have been written about him since.
It was again used (with altered lines) as the lyrics for songs two films: in the title song of the 1999 film Sarfarosh (Zindagi Maut Na Ban Jaye), and in the 2002 Hindi film, The Legend of Bhagat Singh. The poem has also been used in the 2000 film, Dhadkan and the 2006 film, Rang De Basanti, being featured heavily for the track Lalkaar in the ...
Pakistani literature (Urdu: ادبیاتِ پاکستان) is a distinct literature that gradually came to be defined after Pakistan gained nationhood status in 1947, emerging out of literary traditions of the South Asia. [1]
Book cover of Tales of the Punjab by Flora Annie Steel. Academic folkloristic research into and the collecting of the large corpus of Punjabi folktales began during the colonial-era by Britishers, such as Flora Annie Steel's three papers on her studies of local Punjabi folktales (1880), with a translation of three fables into English, [2] Richard Carnac Temple's The Legends of the Punjab (1884 ...