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One might think of a poem as, in the words of William Carlos Williams, [2] a "machine made of words." [3] A reader analyzing a poem is akin to a mechanic taking apart a machine in order to figure out how it works. There are many different reasons to analyze poetry.
The poem is typically understood as a mix of hippie counterculture, with its desire for leisure and a return to nature, with Cold War-era technological visions. [ 5 ] [ 6 ] [ 7 ] Brautigan's publisher, Claude Hayward, said it "caught me with its magical references to benign machines keeping order ...
His long poem Guy Vernon: A Novelette in Verse was first published anonymously in the compilation A Masque of Poets (1878). In Darius Green and his Flying Machine , Trowbridge penned the following prophetic verse: "Darius was clearly of the opinion / That the air is also man's dominion / And that with paddle or fin or pinion, / We soon or late ...
The editors of Exploring Poetry believe that the meaning of the poem and its form are intimately bound together. They state that "since the poem is composed of one sentence broken up at various intervals, it is truthful to say that 'so much depends upon' each line of the poem. This is so because the form of the poem is also its meaning."
This poem was subsequently set to music by the composer William Bolcom. [ 2 ] Allen was co-editor of several anthologies of science fiction and science fiction criticism, [ 3 ] and his book, Overnight in the Guest House of the Mystic, was a finalist for the 1984 National Book Critics Circle Award for Poetry . [ 4 ]
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
East Coker is the second poem of T. S. Eliot's Four Quartets. It was started as a way for Eliot to get back into writing poetry and was modelled after Burnt Norton. It was finished during early 1940 and printed in the UK in the Easter edition of the 1940 New English Weekly, and in the US in the May 1940 issue of Partisan Review.
He usually wrote his poems on a computer, but if inspiration struck him, he offered that, "I've been known to start poems on napkins and scraps of paper, too." [ 9 ] Hollander was considered to have technical poetic powers without equal, [ 11 ] as exampled by his "Powers of Thirteen" poem, an extended sequence of 169 (13 × 13) unrhymed 13-line ...