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kachō-ga. Bird-and-flower painting, called Huaniaohua ( simplified Chinese: 花鸟画; traditional Chinese: 花鳥畫; pinyin: huāniǎohuà) in Chinese, is a kind of Chinese painting with a long tradition in China and is considered one of the treasures of Chinese culture. [2] The huaniaohua was named after its subject matter.
During the period of the Five Dynasties and Ten Kingdoms period, a painter named Huang Quan (黄筌) from Former Shu significantly developed the techniques in bird-and-flower painting, especially in painting trees and flowers, and his painting was called as the fine-sounding name Mogu Huazhi (沒骨花枝). [citation needed]
1690. Style. mogu. Movement. Ch'ang-chou school. Yun Shouping ( Chinese : 惲壽平; 1633 – 1690), also known as Nantian ( Chinese : 南田 ), was a Chinese calligrapher and painter. He was a major artist of the early Chinese Qing dynasty. Along with the Four Wangs and Wú Lì, he was regarded as one of the " Six Masters " of the Qing period.
Yu was clearly a master of a local tradition of genre painting that specialized in plants, flowers, birds, insects and other genre subjects. Manners. A manner of painting in this school of painting was the mogu (沒骨) or “boneless” style which eschewed clear outlines in ink for washes in color or monochrome ink itself.
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of ...
The ink bird-and-flower screen was one important concept during the Muromachi period (1336–1573) in the 14th century, which was popularized by Muqi with his triptych painting Guanyin, Crane, and Gibbons and his boneless style. The term "Muqi mode" was created in describing this boneless method of painting without a thin ink outline.
Yun Bing (Chinese: 惲冰, dates unknown), courtesy names Qingyu (Chinese: 清於) and Haoru (Chinese: 浩如), was a Chinese painter during the Qianlong era. She is well known for her bird-and-flower paintings executing the "boneless" technique, and became the most famed of the Yun family's female artists.
Portrait of Bada Shanren, 1674, ink on paper, Badashanren Memorial Hall. Zhu Da ( 朱耷 ), also known by his pen name Bada Shanren ( 八大山人 ), was a late-Ming and early-Qing dynasty Chinese painter, calligrapher, and poet. He was born in Nanchang, Jiangxi, in 1626, at during the Ming-Qing Transition. [1] Zhu was mentally ill and ...
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