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The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
The overture finishes with a virtuoso coda for the full orchestra. The piece is frequently paired in performance with Tchaikovsky's " 1812 Overture ," which also quotes "God Save the Tsar." In Russia, during the Soviet era , the imperial anthem was replaced in both pieces with the chorus " Glory, Glory to you, holy Rus'!
The 1812 overture complete with cannon fire was performed at the 2005 Classical Spectacular. Among the other works, Capriccio Italien is a travelogue of the composer's time there during his years of wandering and a conscious emulation of the Mediterranean episodes in Glinka's Spanish Overtures. [49]
Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos, three of his symphonies and two of his ten operas, are among his most familiar works.
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As "The Internationale" music was published before 1 July 1909 outside the United States, it is in the public domain in the United States. [22] As of 2013, Pierre De Geyter's music is also in the public domain in countries and areas whose copyright durations are authors' lifetime plus 80 years or less. [23]
As for books, there's a trifecta of classroom classics entering the public domain this year: William Faulkner's The Sound and the Fury, Ernest Hemingway's A Farewell to Arms, and Virginia Woolf's ...
The Nation's Library: The Library of Congress, Washington, D. C. (Library of Congress, 2000) Cole, John Young. Jefferson's legacy: a brief history of the Library of Congress (Library of Congress, 1993) Cole, John Young. "The library of congress becomes a world library, 1815–2005." Libraries & culture (2005) 40#3: 385–398. in Project MUSE