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A funeral oration or epitaphios logos (Ancient Greek: ἐπιτάφιος λόγος) is a formal speech delivered on the ceremonial occasion of a funeral. Funerary customs comprise the practices used by a culture to remember the dead, from the funeral itself, to various monuments, prayers, and rituals undertaken in their honour.
The Christian funeral rites in this period focused on prayers. Based on Barberini, it is known that there were seven prayers often used: there are three prayers for a deceased person; one is a prayer at the bowing of the head; two are for the burial of laity and bishops; one for a monk; and finally a diaconal litany for the dead.
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
A trend in funeral sermons of the Renaissance and Reformation was a move away from the thematic sermon closely allied to scholasticism, towards an approach based on Renaissance humanism. [2] In Spain, for example, the two were combined, the analytical and verbal style joined to humanist epideictic . [ 3 ]
The Litany of Re (or more fully "Book of Praying to Re in the West, Praying to the United One in the West") is an important ancient Egyptian funerary text of the New Kingdom. [1] Like many funerary texts, it was written on the inside of the tomb for reference by the deceased.
The Litany of the Eye of Horus [2] is an ancient Egyptian text in the style of a funerary text, (offering formula). A small portion of the text is contained in a limestone wall relief fragment of painted hieroglyphs located in the British Museum (no. EA 5610).
Pastoral poetry is a genre that typically relates to country/rural life and often depicts the lives of shepherds. This sort of poetry describes the simple and pure lives of shepherds, who exist free from the corruptions of city life. Rural life is depicted as being “pure” in pastoral poetry and is usually idealized.
The Music for the Funeral of Queen Mary comprises the March and Canzona Z. 780 [1] and the funeral sentence "Thou knowest, Lord, the secrets of our hearts" Z. 58C. It was first performed at the funeral of Queen Mary II of England in March 1695. Purcell's setting of "Thou knowest, Lord" was performed at his own funeral in November of the same ...