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Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
Inspired by the Tahitian ukulele, there is the Motu Nui variant, from France, which has just four strings made from fishing line and the hole in the back is designed to produce a wah-wah effect. [citation needed] Mario Maccaferri invented an automatic chording device for the ukulele, called Chord Master.
In this case, the chord is viewed as a C major seventh chord (CM 7) in which the third note is an augmented fifth from root (G ♯), rather than a perfect fifth from root (G). All chord names and symbols including altered fifths, i.e., augmented (♯ 5, +5, aug5) or diminished (♭ 5, o 5, dim5) fifths can be interpreted in a similar way.
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician and actor. He enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes.
An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by ...
Like an ocean bird set free; Like the ocean bird, our home We'll find far out on the sea. (Chorus) A life on the ocean wave, A home on the rolling deep, Where the scattered waters rave, and the winds their revels keep, The winds, the winds, the winds their revels keep, (the winds, the winds, the winds their revels keep). The land is no longer ...
Lewis had been performing the song in his stage act and recorded it at his second recording session for Sun Records in February 1957. Supervised by producer Jack Clement, Lewis radically altered the original, adding a propulsive boogie piano that was complemented by J.M. Van Eaton's energetic drumming and Roland Janes' "muted" guitar [5] and also added suggestive spoken asides.