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The picture shows an ASA/DIN conversion in a 1952 photography book [70] in which 21/10° DIN was converted to ASA 80 instead of ASA 100. Some classic camera's exposure guides show the old conversion as they were valid at the time of production, for example the exposure guide of the classic camera Tessina (since 1957), where 21/10° DIN is ...
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Sunlit subject shot on a digital camera set to ISO 100, exposed at f/8 at 1/400 second which is the same exposure value as f/16 for 1/100 second, the recommended "sunny 16" exposure In photography, the sunny 16 rule (also known as the sunny f /16 rule ) is a method of estimating correct daylight exposures without a light meter .
Cameras with focal-plane shutters—even if they had PC connectors with X, F, M, or S-sync delays ("xenon sync" with zero delay and flashbulbs with peak delays of 5, 20, and 30 ms)—could not be used at speeds that attenuated guide numbers with most types of flashbulbs because their light curves were characterized by rapid rise and fall rates; the second shutter curtain would begin wiping ...
Film speed describes a film's threshold sensitivity to light. The international standard for rating film speed is the ISO scale, which combines both the ASA speed and the DIN speed in the format ASA/DIN. Using ISO convention film with an ASA speed of 400 would be labeled 400/27°. [29]
conversion combination output units the system(s) to which the unit belongs units listed by name unit-code to use in template symbols shown in output other notes about the units sample of the default conversion for the unit output codes for multiple conversions
The ASA (as for American Standards Association) photographic exposure system, originally defined in ASA Z38.2.1 (since 1943) and ASA PH2.5 (since 1954), together with the DIN system (DIN 4512 since 1934), became the basis for the ISO system (since 1974), currently used worldwide (ISO 6, ISO 2240, ISO 5800, ISO 12232).
Note that the times are approximate, and vary between different films and ASA numbers, but the table shows in general how the exposure time is adjusted. In photography, reciprocity is the inverse relationship between the intensity and duration of light that determines the reaction of light-sensitive material.