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Marc-André Hamelin, OC, OQ (born September 5, 1961) is a Canadian virtuoso pianist and composer [1] who has received 11 Grammy Award nominations. [2] He is on the faculty of the New England Conservatory of Music .
Op. 10 No. 2, Op. 25 No. 4 and Op. 25 No. 11 (Combined in one study) [2] Recordings. There's a couple of recordings on the March and Study 50, [4] [5] though there is no live recording for now. Hamelin has a recording of his own version of Study 44a. [6]
André Prévost: Quatre préludes for 2 pianos (1961) Marc-André Hamelin: Prélude et fugue (Étude No. 12) for piano solo (1986) December 1992 Doberman-Yppan: 1993, 2008 Martinů: Chamber Music; Marc-André Hamelin (piano, harpsichord); Alain Marion (flute); Angèle Dubeau (violin) Sonata for flute, violin and piano, H 254 (1937)
In 2018 Richard-Hamelin and Andrew Wan released an album, Beethoven: Violin Sonatas Nos. 6, 7 & 8; [17] in 2019 it was nominated for a Juno Award for Classical Album of the Year. [18] In February 2019, Richard-Hamelin gave a solo performance at Koerner Hall in Toronto, which was recorded by CBC Radio 2. [3]
Hamelin co-wrote, produced and mixed the Leikeli47 track "Chain Gang" for the soundtrack to the 2018 film Uncle Drew. [ 13 ] Hamelin produced 9 songs on 070 Shake 's 2020 album Modus Vivendi [ 14 ] and was an executive producer on her sophomore album You Can't Kill Me , [ 15 ] contributing to every song on the album.
Corigliano partially based the form of the work on Robert Browning's narrative poem "The Pied Piper of Hamelin," arguably the most famous version of the tale. However, the composer altered the narrative to better fit a musical setting, explaining, "The biggest problem was that the legend per se had no elements of virtuosity in it; the Pied ...
"The Pied Piper" is a pop song written by the American song-writing and performing duo The Changin' Times, consisting of Steve Duboff and Artie Kornfeld, who first recorded it in 1965.
[8] Missa "L'homme armé" for 12 voices (attributed to Giacomo Carissimi ) While the practice of writing masses on the tune lasted into the seventeenth century, including a late setting by Carissimi , the majority of mass settings of "L'homme armé", approximately 30, are from the period between 1450 and 1510.