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A Western style of ornament based on Islamic arabesque developed in Europe, starting in late 15th century Venice; it has been called either moresque or western arabesque. It has been used in a great variety of the decorative arts , especially in book design and bookbinding . [ 46 ]
The French sense of arabesque: a Savonnerie carpet in the Louis XIV style, c.1685–1697, wool, Metropolitan Museum of Art, New York City Design of a Louis XVI style arabesque, by Étienne de La Vallée Poussin, c.1780–1793, pen and gray and brown ink, brush and colored wash, Metropolitan Museum of Art The "Arabesque Room" in the Catherine ...
However, in the view of Hamilton Gibb, the emphasis differs: geometric patterns tend to be used for borders, and if they are in the main decorative area they are most often used in combination with other motifs such as floral designs, arabesques, animal motifs, or calligraphic script. Geometric designs in Islamic metalwork can form a grid ...
European strapwork is a frequent background and framework for grotesque ornament – arabesque or candelabra figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century Northern Mannerism, and revived in the 19th century and which may appear on walls – painted, in frescos ...
Less frequently, vegetal or floral arabesque motifs were also created. On walls, zellij geometric dadoes were commonly topped by an epigraphic frieze. [ 5 ] By this period, more colours were employed such as yellow (using iron oxides or chrome yellow ), blues, and a dark brown manganese colour.
Furthermore, architectural ornament can serve the practical purpose of establishing scale, signaling entries, and aiding wayfinding, and these useful design tactics had been outlawed. And by the mid-1950s, modernist figureheads Le Corbusier and Marcel Breuer had been breaking their own rules by producing highly expressive, sculptural concrete work.
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