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Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
This massive art installation includes over 100 million porcelain sunflower seeds that cover a 1,000 square metre floor with a depth of 10cm in the Tate Modern's Turbine Hall. The entire artwork weighs around 150 tons. Each seed went through a 30 step procedure, hand painted and fired at 1,300 degrees. [3]
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", [1] an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art ...
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Large ceramic container at the Museo Nacional de la Cerámica in Tonalá, Jalisco. A wide variety of traditional low temperature and higher temperature firing techniques are used in the Guadalajara area, to produce ware from cheap objects to artistic productions. The two main pottery producing municipalities are Tonalá and Tlaquepaque. [46]
In the early 20th century, the development of the classic blue and white Jingdezhen ware porcelain was dated to the early Ming period, but consensus now agrees that these wares began to be made around 1300-1320, and were fully developed by the mid-century, as shown by the David Vases dated 1351, which are cornerstones for this chronology.
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