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"Maneater" is a song by American duo Hall & Oates, featured on their eleventh studio album, H 2 O (1982). It reached number one on the Billboard Hot 100 chart on December 18, 1982. [ 5 ] It remained in the top spot for four weeks, longer than any of the duo's five other number-one hits, including " Kiss on My List ", which remained in the top ...
The song's musical style and production were inspired by the Hall & Oates song of the same name and other music from the 1980s. The song received positive reviews from music critics, with most comparing the song to Madonna and Depeche Mode songs from the 1980s. Outside North America, "Maneater" became one of Furtado's most popular singles ...
Notable saxophone solos are heard in the Hall & Oates songs "One on One", "Maneater," the extended version of "Say It Isn't So," and "I Can't Go for That (No Can Do)." DeChant also plays with several local bands in his home town, Orlando, Florida. He also plays flute, piano, and guitar.
"Here She Comes" is a song recorded by Welsh singer Bonnie Tyler for the soundtrack to the 1984 restoration version of the 1927 German film Metropolis. It was released in 1984 by CBS Records, written by Giorgio Moroder and Peter Bellote, and produced by Moroder. Tyler re-recorded the song on her 2004 album Simply Believe.
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (June 2011) (Learn how and when to remove this message) This is an alphabetical list of the covers performed on the Live Lounge section of the 2021- radio show Rickie, Melvin and Charlie on BBC Radio 1 (and ...
In early 2007, a video hosted on YouTube led to reports that the song "Do It", and the Timbaland-produced ringtone "Block Party" that inspired it, used—without authorization—the melody from Finnish demoscene musician Janne "Tempest" Suni's song "Acidjazzed Evening", winner of the Assembly 2000 oldskool music competition. [92]
"Here She Comes Now" was recorded during the recording sessions for White Light/White Heat in September 1967 at Scepter Studios in Manhattan. [5] Lou Reed originally intended the song to be sung by Nico, who had sung it on a few occasions during the Exploding Plastic Inevitable events, however her collaboration with the group had ended before recording for White Light/White Heat had begun.
The three unreleased songs were "Wiameah Bay", an instrumental by the Wrecking Crew, and two Rip Chords hot-rod songs ("Sting Ray" and "XKE") which had been in Columbia's vault since 1965. The fourth song was "Red Hot Roadster", originally scheduled for release as a single but instead appearing on the soundtrack of 1965's A Swingin' Summer. [41]