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The Visconti-Sforza Tarot is used collectively to refer to incomplete sets of approximately 15 decks from the middle of the 15th century, now located in various museums, libraries, and private collections around the world.
The painting shows wealthy card players, the kind who enjoyed the gilded Tarot cards of the Visconti-Sforza style, playing the game. This, along with a description of the rules, constitutes a powerful reminder that the modern Tarot of Eliot and Waite is a very different thing from the historical Tarot of 15th-century Milan.
The oldest surviving tarot cards are the 15 or so decks of the Visconti-Sforza Tarot painted in the mid-15th century for the rulers of the Duchy of Milan. [15] In 15th century Italy, the set of cards that was included in tarot packs, including trumps, seems to have been consistent, even if naming and ordering varied. There are two main ...
“The oldest surviving tarot cards are the Visconti-Sforza, which can be seen at the Academia Carrara in Italy and the Morgan Library and Museum in New York. Once the mass printing press was ...
One of Bonifacio's best known works is the deck of tarot cards he painted for Bianca Maria Visconti and Francesco Sforza in the mid fifteenth-century, probably after 1455. This deck is known as the Visconti-Sforza, or "Colleoni Tarot". Tarot cards began to appear a little before the mid-fifteenth century, making Bembo one of the first artists ...
There are around 15 Visconti-Sforza tarot decks made for the rulers of Milan. These are the best preserved: These are the best preserved: The Cary-Yale deck is estimated to have been produced for the marriage of Bianca Maria Visconti and Francesco Sforza in October 1441
In the earliest tarot decks, the Fool is usually depicted as a beggar or a vagabond. In the Visconti-Sforza tarot deck, the Fool wears ragged clothes and stockings without shoes, and carries a stick on his back. He has what appear to be feathers in his hair.
Visconti-Sforza Tarot card. La Papessa in the Visconti-Sforza Tarot has been identified as a depiction of Sister Manfreda, an Umiliata nun and a relative of the Visconti family who was elected Pope by the heretical Guglielmite sect of Lombardy. In The Tarot Cards Painted by Bonifacio Bembo, Gertrude Moakley writes:
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