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Etched carnelian beads with characteristic designs are widely known from various Indus Valley civilization sites dating to the 3rd millennium BCE, such as at Mohenjo-Daro, and these beads "were exported to the Mesopotamian region during second half of 3rd millennium BC and were of extreme importance".
Examples of these are the columbaria in Père Lachaise Cemetery in Paris and Golders Green Crematorium in London. In other cases, columbaria are built into church structures. One example is the Cathedral of Our Lady of the Angels (Los Angeles, California), which houses a number of columbarium niches in the mausoleum built into the lower levels ...
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
Ancient Roman urn made of alabaster. An urn is a vase, often with a cover, with a typically narrowed neck above a rounded body and a footed pedestal.Describing a vessel as an "urn", as opposed to a vase or other terms, generally reflects its use rather than any particular shape or origin.
The Dipylon Master was an ancient Greek vase painter who was active from around 760–750 BC. He worked in Athens, where he and his workshop produced large funerary vessels for those interred in the Dipylon Gate cemetery, whence his name comes. His work belongs to the very late stage of the Geometric Style.
Rubber pad forming process, 1: bottom of the press. 2: lower die. 3: sheet metal. 4: rubber pad. 5: top of the press. Rubber pad forming (RPF) is a metalworking process where sheet metal is pressed between a die and a rubber block, made of polyurethane. Under pressure, the rubber and sheet metal are driven into the die and conform to its shape ...
High-quality Mosan 12th century armlet, somewhat damaged, so showing the cast recesses for the enamel. Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel.
The characters are noble and beautiful, but absorbed without affection for the object at which they direct their gaze (presumably a piece of jewelry). However, Buitron-Oliver [ 7 ] notes that the highly idealized figures on the Parthenon frieze gave way to more realistic drapery around 400 BCE, as seen in the Hegeso relief.
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