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La stravaganza [literally 'Extravagance'] (The Eccentricity), Op. 4, is a set of concertos written by Antonio Vivaldi in 1712–1713. The set was first published in 1716 in Amsterdam and was dedicated to Venetian nobleman Vettor Delfino, [ 1 ] who had been a violin student of Vivaldi's. [ 2 ]
La cetra (Vivaldi) Il cimento dell'armonia e dell'inventione; Concerto alla rustica; Concerto for Two Cellos, RV 531; Concerto for Two Trumpets (Vivaldi) Concerto in C major, RV 558; Concerto in C major, RV 559
Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8) The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La costanza trionfante (RV 706) 11 699: Armida al campo d'Egitto: Giovanni Palazzi: Carnival 1718: Venice, Teatro San Moisè. Further performances in Venice on 26 December 1730 and 12 February ...
2009: Pyrotechnics: Vivaldi Arias (Virgin Classics), feat. Vivica Genaux; 2010: Vivaldi: Ercole Sul Termodonte (Virgin Classics), directed by Fabio Biondi; 2011: Vivaldi: La Stravaganza (Edition by John Walsh, London, 1728) (Virgin Classics) 2015: Vivaldi: I Concerti Dell' Addio (The Farewell Concertos) (Glossa Music), directed by Fabio Biondi [3]
Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars.