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Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."
Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. [1] Imagism has been termed "a succession of creative moments" rather than a continuous or sustained period of development.
Kenner's The Poetry of Ezra Pound (1951) adopted a New Critical approach, where all that mattered was the work itself. [444] New Directions and Faber & Faber published Ezra Pound: Translations in 1953, introduced by Kenner, and the following year Literary Essays of Ezra Pound, introduced by Eliot. [440]
The period 1909 to 1913 saw the emergence of Imagism, the first consciously avant garde movement in 20th century English-language poetry. Pound, who was Imagism's prime mover, served as foreign editor of Harriet Monroe's magazine Poetry. In October 1912, he submitted three poems each by H.D. and Richard Aldington under the label Imagiste ...
They rejected Romantic and Victorian conventions, favoring precise imagery and clear, non-elevated language. [61] Ezra Pound formulated and promoted many precepts and ideas of Imagism. His "In a Station of the Metro" (Roberts & Jacobs, 717), written in 1916, is often used as an example of Imagist poetry:
ABC of Reading [1] is a book by the 20th-century Imagist poet Ezra Pound published in 1934. In it, Pound sets out an approach by which one may come to appreciate and understand literature (focusing primarily on poetry). Despite its title the text can be considered as a guide to writing poetry.
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.