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Kathakali (IAST: Kathakaḷi pronunciation ⓘ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Indian theatre. It is a play of verses. It is a play of verses. These verses called Kathakali literature or Attakatha .
Unnayi Warrier was a poet, writer, scholar, and dramatist who lived in Thiruvananthapuram, India during the 17th/18th century. He is best known for his chef-d'oeuvre Nalacharitham aattakatha and is known to have made significant contributions to the art of Kathakali, the classical dance-drama form of Kerala.
Puthiya Veettil Balakrishnan was born in 1944 in Taliparamba, Kannur district to A. V. Krishnan and Umayamma. [1] [2] He first studied Kathakali from Kondiveettil Narayanan Nair and later studied at Gandhi Sevasadanam Kathakali Academy under Thekkinkatil Rammuni Nair and Keezhpadam Kumaran Nair for ten years with a Central Government Scholarship. [3]
Kathakali emerged in the southwestern region of India (modern Kerala), and is distinctive in its elaborate codified colorful makeup, masks and dress. [77] Kathakali traditionally has been troupes of predominantly male actor-dancers, who dress up as hero, heroines, gods, goddesses, demons, demonesses, priests, animals and daily life characters. [76]
Kathakali traced its origin to the ritualistic (tantric) period of the Vedic Age and connected its growth to popular, folk dance dramas. It was believed that Kathakali was conceived from Krishnanattam, the dance drama on the life and activities of Lord Krishna created by the Samoothirippadu (Samoothiri, Swamy Thirumulpad or Zamorin) of Calicut .
Kathakali. It is believed that the art form of Ramanattam was transformed into a new dance form called Kathakali by the king of Kottayam (Kottayath thampuran), and it was created at the Mridangashaileshwari temple in Muzhakkunn. [4] It was based on epic Mahabharatha. [5]
Kathakali is a highly stylised classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures, and well-defined body movements presented in tune with the anchor playback music and complementary percussion.
The institution of Kathakali gained in progress and richness during the time of the Raja of Kottayam, between 1665 AD and 1725 AD. The then-raja of Kottayam was a brilliant actor-dancer who structured several compositions to complete the transition of Kathakali from its earlier form, Ramanattam , developed by Kottarakkara Thampuran.